“We all steal, but if we’re smart we steal from great directors. Then, we can call it influence.” -Krzysztof Kieślowski


A Review of Edgar Wright’s Baby Driver

Entire scenes are built, guided and informed by Baby’s music, where every word, sound, action and camera movement is in accordance with the song playing. As such, the film itself becomes a choreography playing in visual details – the filmic equivalent of a modern ballet, with jokes and car chases. What more could you ask for?